If you’ve never ever become aware of “kids of the moon,” then this stunning and touching film will teach you everything you need to know. While affected with a rare illness that causes serious health problem upon direct exposure to sunshine, 3 Tunisian ladies learn to browse life and live it to the fullest. In spite of their condition, the females defy all limitations and expectations while chasing their dreams.
Ramadan is a time when we assess the important things that matter. While enjoying tv programmes is not what everyone will view as a mode of reflection, there are insights to be obtained from investing a couple of hours in front of the small screen during the holy month. The most obvious is that the current crop of dramas is becoming progressively stagnant. With couple of exceptions, the complex morality tales that for a long time were a trademark of the Ramadan drama, are being replaced by cheap thrills.
All of these funnies suffered one significant issue – an absence of humour. Unlike 100 Faces, they had no sophistication, chemistry in between entertainers, engaging storytelling, and, a lot of vital of all, compound. The laughs were forced, the writing lazy, and the characterisation as thin as a razor blade.
The season showed that the freedoms won in the Arab world – and particularly Egypt, home to MENA’s biggest entertainment industry – in the instant aftermath of the 2011 uprisings are now nothing but a remote memory. Governments have extended their control over the content of popular shows, as coverage of the area’s daily realities has become taboo, along with the long-established trinity of sex, faith and political dissent.
History did not alter between the two television series. What altered was the political relationship in between the two regimes. In both cases, the political stance required drama to reflect the nature of those relations. By that, drama was a practical tool to express the general political state of mind of this or that routine. مسلسلات عربية is how Arab regimes understand “commitment”! In the light of this understanding, the appeals directed to Arab drama makers must be equated correspondingly. They are no more than requests to produce drama that adopts the dominating political routines’ visions, especially after the “Arab Spring” transformations. Simply put, drama was become political orientation lectures played by stars to enter every house. Such a function was much better than asking the ruling celebration’s band secretaries to provide boring speeches to their few supporters.
If you’ve never heard of “children of the moon,” then this lovely and touching movie will teach you everything you need to understand. While affected with an uncommon disease that triggers serious health problem upon exposure to sunlight, 3 Tunisian women find out to browse life and live it to the fullest. In spite of their condition, the women defy all limits and expectations while chasing their dreams.
Endless examples of artworks expose how Arab regimes tame art– specifically tv drama– and turn it into a tool for transmitting political messages, mass mobilization, or venting social repression. This trick began decades earlier and continues to this day. To put it simply, adopting the political visions and thoughts of the Arab regimes and dominating them at the expenditure of drama’s visual worths and explaining it as “dedication” is one element behind Arab drama’ regression. It is not the other way around. Nowadays such a trick is outdated for an audience that delights in having modern interactions and social media.
