Unlimited examples of art work expose how Arab regimes tame art– particularly television drama– and turn it into a tool for sending political messages, mass mobilization, or venting social repression. مسلسلات تركية started decades back and continues to this day. In other words, embracing the political visions and ideas of the Arab regimes and prevailing them at the expenditure of drama’s visual values and explaining it as “commitment” is one aspect behind Arab drama’ regression. It is not the other way around. Nowadays such a trick is outdated for an audience that takes pleasure in having contemporary communications and social media.
If you’ve never ever become aware of “children of the moon,” then this lovely and touching film will teach you whatever you require to understand. While affected with an uncommon disease that causes severe health problem upon direct exposure to sunlight, 3 Tunisian females learn to browse life and live it to the maximum. In spite of their condition, the ladies defy all limits and expectations while chasing their dreams.
All of these funnies suffered one significant issue – a lack of humour. Unlike 100 Faces, they had no elegance, chemistry between performers, engaging storytelling, and, many crucial of all, substance. The laughs were required, the composing lazy, and the characterisation as thin as a razor blade.
Ramadan is a time when we review the things that matter. While watching television programmes is not what everyone will view as a mode of reflection, there are insights to be obtained from spending a few hours in front of the small screen during the holy month. The most obvious is that the present crop of dramas is becoming increasingly stagnant. With few exceptions, the complex morality tales that for a long time were a trademark of the Ramadan drama, are being replaced by cheap thrills.
The season demonstrated that the liberties won in the Arab world – and particularly Egypt, house to MENA’s greatest entertainment industry – in the instant consequences of the 2011 uprisings are now nothing but a far-off memory. Federal governments have extended their control over the material of popular shows, as coverage of the area’s daily truths has become taboo, along with the long-established trinity of sex, religious beliefs and political dissent.
If you’ve never ever become aware of “kids of the moon,” then this gorgeous and touching film will teach you everything you need to understand. While afflicted with a rare disease that causes severe illness upon direct exposure to sunlight, three Tunisian women discover to browse life and live it to the max. In spite of their condition, the women defy all limits and expectations while chasing their dreams.
History did not change between the two TV series. What changed was the political relationship in between the two programs. In both cases, the political stance required drama to show the nature of those relations. By that, drama was a functional tool to reveal the general political mood of this or that regime. This is how Arab regimes understand “commitment”! In the light of this understanding, the appeals directed to Arab drama makers should be equated similarly. They are no more than requests to produce drama that adopts the prevailing political routines’ visions, particularly after the “Arab Spring” transformations. Simply put, drama was become political orientation lectures played by stars to enter every home. Such a function was much better than asking the ruling celebration’s band secretaries to provide uninteresting speeches to their couple of fans.
